Experimental Animation
Frederick Freebury Williams
Frederick Williams is an artist from St. Ives, Cornwall who works primarily in oil painting and digital animation. He has studied at Falmouth School of Art, the Slade and the Royal College of Art, during which time his practice has increasingly become part of a single fantasy world, as characters, places and symbols began recurring in accidental feedback loops.
ヽ(*・ω・)ﾉ
Unlimited Edition, Buk Seoul Museum of Art, Seoul, 2019
Boil, Royal College of Art, London, 2019
The Elephant, Elephant, London, 2019
p.3-p.177, Tenderbooks, London, 2019
Reflection 2018: British and Chinese Contemporary, San Mei Gallery,
London, 2018
Good Night Film Club, SET, London, 2018
Dark Waters, Dilston Grove CGP, London, 2016
Sounds Like, IMT Gallery, London, 2016
Rose, Lemons, Okra, or Goutweed, Embassy Tea Gallery, London, 2015
Made under the secret and mysterious pseudonym 'thmnwh hsfld', Frederick's work simultaneously creates and recounts the events of a continuously fictioned world through animated videos, paintings and associated writing, all drawn from a process of diagram-distillation. These worlds and worlds-inside-worlds are defined by the magical and ritual agency afforded the characters and entities within and by an ascendency of magic-over-science and Mediaeval-over-Modern that allows seemingly mundane activities and spaces to become imbued with Weird and Magickal intention and meaning.
They sell a wide range of foods.
It seemed to be close, but it was the only option at the time.
Under the inflatable tree another great event entered the pool.
"How many palms did you buy in the sea?"
"Designed for 5 pieces. Buy pink."
"Well ... you're in the meadow, but I'm not."
The wine is nearby. Good review.
The Knights of the Table Round fiction a World-Within-a-World and travel ever-inward through its environments, reaching at last Henry's Hotel and the secret entrance to the Cave of Choices.
