Ceramics & Glass (MA)
Jiali Huang
Jiali Huang (b.1996) was born and raised in China. She discovered a passion for design whilst studying for a BA at Central Saint Martins, London (2015 - 2018) and went on to undertake her MA at Royal College of Art (2018-2020).
Most recently she has presented her ceramic work at the following exhibitions: New Designers – Business Design Centre 2018, Work-in-Progress Show - Royal College of Art 2019, and a group exhibition at the residence of a private collector, Preston Fitzgerald in London.
Contact
My interest is in designing objects that are multifunctional; that combine my passion for ‘food culture’; how we use objects to both serve and eat from and the natural environment; how we observe and extract its resources. My designs explore how serving-ware connects and interacts with the dining experience in high-end restaurant and hotel settings. When it comes to serving and presenting food, my aim is to change the ordinary into the extraordinary, the normal into the unexpected.
Inspired by the natural landscape, I aim to design a range of experimental objects that combine natural forms with function. I incorporate a contemporary minimalist style based on the Japanese aesthetics of wabi-sabi, thereby expressing natural phenomena in the simplest form. My belief is that form and function work in harmony in the design process; my practice explores the interaction of form, function and structure.
With the increasing cultural exchange between East and West, modern creation in design has become a symbol of globalisation. My cross-cultural background and experience give me unique abilities to understand both Western design and Eastern culture.
Ripple / Photography by ZeHua Wang
Ripple / Photography by ZeHua Wang
Ripple / Photography by ZeHua Wang
Ripple / Photography by ZeHua Wang
Droplet / Photography by Qing Lu
Droplet / Photography by Qing Lu
Droplet / Photography by Qing Lu
Under
Under
Under
In the form of tableware, I transform the movement of a ripple into a static form to express the idea of impermanence that is revered in oriental aesthetics. This collection is an abstraction of the water’s surface transformed into a pattern.
Medium:
PorcelainTrace / Photography by Yuan Chen
Trace / Photography by Yuan Chen
Trace / Photography by Yuan Chen
Cycle
Cycle
Cycle
Cycle
Cycle
Terrain
Terrain
Terrain
My aim has been to create functional objects that are symbolic and reflective to express the interaction between civilization and its impact on nature. The objects I have produced explore and blur the boundaries of sculpture and product. The kaolin mines are represented in my work through the material (porcelain) and qualities expressed as form and texture, suggestive of the rugged, hewn surface of a quarry.
Medium:
Porcelain and GlassBeyond expectations: Exploring a diversity in practice through teaching