Curating Contemporary Art (MA)
Junyao Chen
Quincunx is curated by Junyao Chen, Jinghua Fan, Hetian Guo, Chao Liu, Si Shen, Costanza Simonini, Irina Sinenkaya and Jianan Wang as part of the MA Curating Contemporary Art Programme Graduate Projects 2020, Royal College of Art, London, in partnership with Team London Bridge.
Junyao Chen is a curator based on the background of digital media. He focuses on curatorial research in the context of digital media and urbanisation, and has a strong interest in contemporary art practices that take place outside institutions and gallery spaces.
His recent curatorial projects include: “The Falling Moment”, artists: Mengfan Xia and Kaijia Zheng, The Crypt Gallery, London, 2019; Artist-resident project On The Mountain We Stay, No Space(Beijing), Shandong, 2019; Yang Xu’s Solo Exhibition 100 Carat Diamond, Barbican Arts Group Trust (BAGT), London, 2020.
QUINCUNX — Rachel Pimm, Quincunx (Detail), 2020
Throughout Quincunx, there has been an emphasis on a process-led as opposed to outcome-led working. Research-led conversations have been the foundation of our collaborative process and the Covid-19 pandemic has arguably brought the feeling of being together and the potential to exchange research via online channels into stark relief.
In Collaboration with:
Rachel Pimm’s sound, video, food, text and textile research branches out into new and growing exchanges with four additional collaborators.
Rachel Pimm works in sculpture, text, photography, video and performance to explore environments and their materialities, biochemistries, histories and politics. They are interested in queer, feminist, postcolonial theories and materialisms, natural histories and resource extraction, and the potential of surfaces and matter to transform. Their recent work has been included in programmes at the Serpentine Gallery, Whitechapel Gallery, Jerwood Space, Chisenhale Gallery and The Royal Academy (all London 2014-2019), as well as internationally across Europe and the US. Residencies include time spent at Loughborough University Chemical Engineering, Gurdon institute of Genetics at Cambridge University, Rabbit Island in Michigan, and Hospitalfield in Scotland. Rachel is currently artist in residence at The White House in Dagenham, working in their garden, and has a forthcoming commission with Arts Catalyst in 2021.
Lilah Fowler weaves environmental sound and image data from ancient and contemporary technologies of growing and dyeing into coded textiles and material studies.
Lilah Fowler’s work examines the common, mutable languages that inform how we interpret our surroundings. Sculptures, images and other elements draw on sources that include the planning of natural and urban environments and their architectural design values, combining into responsive and intricate installations. Recent works have involved collaborations with biochemists, quantum physicists, computer programmers, mathematicians and weavers. For her most recent body of work she has spent several research periods in the South West of the US, the Lake District, Epping Forest and Dungeness, including residencies at Montello Foundation, Nevada (2016) and Joshua Tree Desert Highlands, California (2013). Recent exhibitions include Code Clay, Data Dirt at Firstsite, Colchester; nth nature at Galerie Gisela Clement, Bonn and Assembly Point, London; Bauhaus at Frauenmuseum Bonn; Sie Machen Was Sie Wollen at Varna City Gallery, curated by Mélange, Cologne; and PURE LIGHT at Vasarely Museum, Budapest, curated by Dora Mauer.
HP Parmley’s slow midi sound and video compositions act as a meditation on the audience’s breathing and sets a meditative pace for the group.
HP Parmley is a London-based artist who works with moving image and sound. Leaning into the space of poetics and humour found in the everyday, she collects fragments of daily life, building new narratives through rhythm, arrangement and (re)composition. Finding meaning that emerges from an unravelling or a reshuffling, HP is interested in a dream logic where the sensory and the sublingual become sites of potential for new forms of communication or reactivation. Drawn to the incomplete, the unfixed and the present tense, her practice meditates on the relationship between movement and stasis and what it means to move forwards.
Daisy Lafarge’s poetry and her short writings build proximity and intimacy with the air, disease and organisms around us.
Daisy Lafarge is a writer, artist and editor. Her first poetry collection, Life Without Air, and a novel, Paul, are forthcoming from Granta Books. Her pamphlets include understudies for air (Sad Press) and capriccio (Spam Press). She received an Eric Gregory Award for poetry in 2017 and a Betty Trask Award for fiction in 2019, and her visual work has been exhibited in galleries and institutions such as Tate St Ives, Talbot Rice Gallery and Edinburgh Art Festival. Daisy is currently working on Lovebug, a book about infection and intimacy, as part of a practice-based PhD at the University of Glasgow.
Peiran Gong graduated from the Royal College of Art in 2012, used to be a fashion designer, and accidentally became a chef. She now runs a Chinese food pop-up called Chinese Laundry with her best friend, whom she met in RCA. The food they serve at different pop-up restaurants and residencies are very personal and authentic to them, combining childhood memories and flavour profiles from different parts of China with seasonal British produce.