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Painting (MA)

M. Jacinta Silva Armstrong

B. Valdivia, Chile (1988). 

M. Jacinta Silva Armstrong is a Chilean artist. She completed a BA in Art in the P. Universidad Católica de Chile in Santiago, where she lived and worked until moving to London to attend the Royal College of Art.  

Recent shows in London include The Distance Between and SnapShot in RCA Hockney Gallery, and Final, Not Over in Unit 1 Gallery/Workshop.

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Degree Details

School of Arts & Humanities

Painting (MA)

Chile is a seismic country surrounded by mountain ranges. The topography of the territory is abrupt and rough. The Andes are an invariable, high skyline limiting the view. The landscape is a wall.

My practice starts from the paradox of inhabiting a space built on the latent possibility of destruction. My recent work focuses on finding non-linear ways to understand the concept of a mountain range and the isolation it implies, extended to other related topographies, such as islands and archipelagos.

I approach the painting practice as a position from which to learn and analyse the territory surrounding me. I exercise this as an active slowness: an effort to actively unlearn the world and look for new ways of organising it, according to my own measures.

I make visual essays that result in paintings, although lately I have been working on drawings and hand-bound books as well. I am interested in fragments, folds, translucency and blurriness as mediums to create fragile atmospheres and a distance within the image. These become a collection of exercises around an observation or wondering, to which an answer appears elusive and untranslatable into language. 

la estrechez de la cima - la amplitud del valle I — Coloured pencils on folded tracing paper 21 x 59 cm. 2020

Learning a Wrinkled Cloth — Graphite powder and graphite pencil on tracing paper 42 x 59.4 cm. 2020

la estrechez de la cima - la amplitud del valle II — Coloured pencils on folded tracing paper 20 x 83 cm. 2020

la estrechez de la cima - la amplitud del valle III — Coloured pencils on folded tracing paper 20 x 83 cm. 2020

BlurDrawingFoldGreenGridMappingMaterial LanguageMountainPaper

A Night (You I do not see) — Oil and cold wax on wood panel 51 x 40.5 cm. 2019

Ombú — Oil on canvas 50 x 60 cm. 2019

Untitled — Oil on paper 38 x 28 cm. 2018

Archipelago — Oil and cold wax on paper 38 x 28 cm. 2020

Andromeda — Oil and cold wax on wood panel 28 x 41 cm. 2019

Cordillera - Casa — Digital print on recycled paper 11 x 10 cm folded 2020

Cordillera - Casa — Digital print on recycled paper 11 x 10 cm folded 2020

The Narrowness of the Summit - The Amplitude of the Valley — 29.7 x 42 cm. Risograph print on Munken Pure Cream Rough paper 150 gsm., digital print on tracing paper 120 gsm., hand-bound with cotton thread. 2020

The Narrowness of the Summit - The Amplitude of the Valley — 29.7 x 42 cm. Risograph print on Munken Pure Cream Rough paper 150 gsm., digital print on tracing paper 120 gsm., hand-bound with cotton thread. 2020

Transversales — Graphite pencil on tracing paper 8 x 12 cm. closed / 8 x 24 cm opened 22 pages hand-bound with cotton thread 2020

Transversales — Graphite pencil on tracing paper 8 x 12 cm. closed / 8 x 24 cm opened 22 pages hand-bound with cotton thread. 2020

Archipelago Series — Watercolour on Saunders paper 300 gsm., beeswaxed cotton and linen thread, silk organza. 55 x 65 cm. aprox. each 2020

Archipelago I — Watercolour on Saunders paper 300 gsm., beeswaxed cotton thread, silk organza. 55 x 65 cm. aprox. 2020

Archipelago I (detail) — Watercolour on Saunders paper 300 gsm., beeswaxed cotton thread, silk organza. 55 x 65 cm. aprox. 2020

Archipelago II — Watercolour on Saunders paper 300 gsm., beeswaxed linen thread, Uzbek Margilan silk organza. 55 x 65 cm. aprox. 2020

Archipelago II (detail) — Watercolour on Saunders paper 300 gsm., beeswaxed linen thread, Uzbek Margilan silk organza. 55 x 65 cm. aprox. 2020

Archipelago III — Watercolour on Saunders paper 300 gsm., beeswaxed cotton thread, silk organza. 55 x 65 cm. aprox. 2020

Archipelago III (detail) — Watercolour on Saunders paper 300 gsm., beeswaxed cotton thread, silk organza. 55 x 65 cm. aprox. 2020

Isla - Archipiélago — Graphite pencil on folding tracing paper 62 gsm. Folded 20 x 25 cm / Unfolded 20 x 400 cm 2020

Isla - Archipiélago — Graphite pencil on folding tracing paper 62 gsm. Folded 20 x 25 cm / Unfolded 20 x 400 cm 2020

Gabinete de estudios topográficos (folded) — A collection of books and topographic exercises inside an A3 black box.

Gabinete de estudios topográficos (unfolded) — A Collection of books and topographic exercises inside an A3 black box.

A Constellation to Define Distance — A collection of paintings joined together with cotton thread. The Distance Between, RCA Hockney Gallery, 2019.

A Constellation to Define Distance — A collection of paintings joined together with cotton thread. The Distance Between, RCA Hockney Gallery, 2019.

I Am Bringing Into the Country Goods Not Included Within The Concept Of Baggage — A Collection of painted images, objects and texts grouped together inside a blue rectangle. RCA WIP Show 2019.

I Am Bringing Into the Country Goods Not Included Within The Concept Of Baggage — A Collection of painted images, objects and texts grouped together inside a blue rectangle. RCA WIP Show 2019.

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