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Documentary Animation

Mariya Ilieva

Mariya Ilieva is an animation director and illustrator born in Sofia, Bulgaria. 

Growing up in a post-communist Bulgaria, she developed a natural fascination with the past and themes such as nostalgia. Having a background in poster design and printmaking her practice is strongly rooted in drawing, thus naturally specializing in 2D animation with a strong emphasis on character design.  

After graduating with a Degree in Fine Art from Aberystwyth University, she developed a strong focus on illustration and moving image; later on, deciding to expand her interest in animation, she moved to London earning a Degree in Documentary Animation from the Royal College of Art in 2020.  

Her work has been exhibited internationally as part of group exhibitions, print fairs, and festivals, most recently in Bratislava, Vienna, and London. Her work has also won two Honorable Mention awards from the 3x3 Illustration Competition and a third place in Shumensko Brewery Poster Competition at the One Design Week Festival, Plovdiv, Bulgaria.  

Sometimes, accidentally, she writes poetry.  

Contact

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Degree Details

School of Communication

Documentary Animation

Mariya works mainly with digital 2D animation but she also likes playing with analogue techniques such as cut-out animation and frame by frame animation on paper.

In her work, Mariya likes to explore the peculiarities of human character and the way people’s personalities express themselves visually; together with how they may act as a manifestation of larger issues in society.

Her graduation project, a 2D animated comedy called A Kibik, an Odd Bird(2020), started as a personal journey to better understand her contradictory notions towards a negative male stereotype that exist in Bulgarian society called a “kibik”(Bulgarian vernacular for a loafer).

Although inspired by a character specific to Bulgarian culture, the aim of the film is to allude to a universal socio-cultural male stereotype and to invite the audience to identify such examples of odd birds around them; simultaneously giving them time to reflect on the reasons of their formation and the nature of stereotyping itself. Through this work Mariya aims to address themes of tension between individual and collective, social engineering and the human costs of huge political shifts - leaving the question, what do we do with those unable to adopt?

Mariya’s next project will marry her interests in illustration, cooking, documentary animation, poetry and the notion of nostalgia, hoping to create a semi-autobiographical illustrated book along with a short animated film based on her childhood memories of blissfully idle summers spent in rural Bulgaria. She started developing the concept while still at the Royal College of Art.

Still from A Kibik, an Odd Bird

Still from A Kibik, an Odd Bird

A moving poster for A Kibik, an Odd Bird

A moving poster for A Kibik, an Odd Bird

Still from A Kibik, an Odd Bird

A Kibik, an Odd Bird (Excerpt)

A Kibik, an Odd Bird

A Kibik, an Odd Bird (Excerpt)
Access Password: kibik

Behind the peculiar and funny facade of a “kibik” (Bulgarian vernacular for a loafer) hides a lost opportunity for humanity…or does it?

Medium:

Digital 2D Animation

Size:

04:41 (full film)

In Collaboration with:

Sound Design/ Sound Mix
Music Composer
Voice Over Actor
2D animationAbsurdAllienationAnimationComedyCrisis of MasculinityCultural IdentityIndividual vs.CollectiveNostalgiaOutcastPoetrySociopolitical

Poster for RCA's Easter Fair

Leaflet for RCA's Easter Fair

Leaflet for RCA's Easter Fair

Gif for RCA's Easter Fair

Gif for RCA's Easter Fair

Branding for the RCA's Easter Fair(2018) commissioned by the Students’ Union (SU).
The brief was to create different assets to promote the fair, both for print and web use.

Medium:

Digitally colored pencil drawing

Size:

841 x 594 mm/99 x 210 mm

RCA Continuation Fund

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