Print (MA)
Pengpeng Chen
Born Wuhan, China
2012 BFA, Emily Carr University of Art and
Design, Vancouver, BC, Canada
2020 MA Print, Royal College of Art, London.
U.K
GROUP EXHIBITION
2020 Against the Grain, London, U.K.
2019 18ththe Lessedra World Art Print Annual, Sofia, Bulgaria
2012 GradExhibition, Emily Carr University of Art and Design, Vancouver, BC, Canada
2011 ECU and AAI Print Media Exchange Program, Vancouver and Edmonton, Canada
2008 Group Show, Emily Carr University of Art and Design, Vancouver, BC, Canada
2007 Mythology Today, Coquitlam, BC, Canada
I always trapped myself in a paradoxical mood between being and not being. I always fall into the gap between the consciousness of artistic creation and unconsciousness of inner impulse. I attempt to find a fine balance among intangible artistic perception, tangible materiality, a rational art-making method, and an irrational making process. My art practice is mainly forced on printmaking, and this pathway requires understanding of fixed making procedures in order to create the ideal image. However, during the making process, I still try to break the boundary of this traditional code.
written on its theme. There is a transformation from human figure to object(butterfly), and a blurring boundary between dream and reality. I was also inspired by Jorge Luis Borges’s article The Circular Ruins, I found the blurring boundary between reality and imagination in this article is also very interesting. Writers could illustrate this duality of reality and dream through texts. My question is: as an image-
maker, can I capture this blurring sensation between reality and phantom apparitions. In this project I attempt to treat the virtual image as new physical materials, and explore the sensations of fragmentary views and the duality between stillness and movement. Butterflies and oceanic movement become motifs of dreams. I would consider this is a documentary of dreams, rather than an illustration of dreams.
Medium:
Moving ImageSize:
one minuteBook 2020 03
Book 2020 02
Book 2020 04
Book 2020 01
Exuded the smell of salt.
She became the scent of the ocean,
Compelled to drift like the wind.
Compelled like the wind,
She came from the ocean.
Like vapour in the wind,
She came from the ocean.
Uttering about travelling for a very long time,
Passing many lighthouses.
There is no way home,
So better to be the wind…..
Medium:
Digital print and screen print on Japanese paperSize:
10.4x14.8 cmIMG 7614 JPG
IMG 7612 JPG
IMG 7611 JPG
Medium:
Silkscreen print on black Somerset paper.Size:
180x 80 cmMedium:
Etching with aquatint print on Somerset paperSize:
46x30cm"Partial forgetting is treacherous: for, if one then starts to recount what has not been forgotten, one is likely to supplement from the imagination the incoherent and disjointed fragments provided by the memory […] Unconsciously one becomes an artist, and the story, repeated from time to time, imposes itself on the belief of its author, who, in good faith, tells it as authentic fact, regularly established according to proper methods."
Thus, there must be a paradox between presence and absence in order to capture the sensorial nature of a dream; a contradictory image combines fragmentary space and empty space in order to represent the perception of a dream.