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2. Interior Detail

Qichenyun Yu

From

Wenzhou, Zhejiang, China

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Education

BA Environment Design, Donghua University, China, 2017

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Professional Experience:

AIM, Shanghai, Summer 2019

Centdegres, Shanghai, Spring 2017

Tianhua Architectural Design Company, Shanghai, Summer 2016

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Exhibitions

‘Work In Progress Show 2020’, Royal College of Art

‘Democratic Seat’, Kortirjk Design Week 2019, Kortrijk, Belgium

‘Work In Progress Show 2019’, Royal College of Art

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Awards

Learning Excellence Award, Donghua University, 2016

Learning Excellence Award, Donghua University, 2015

Learning Progress Award, Donghua University, 2014

Contact

Behance

instagram

Linkedin

Degree Details

School of Architecture

2. Interior Detail

My time at the RCA has provided me with an opportunity to explore a variety of different design methods with work sometimes starting from the materials and at other times from exploratory model making. I am interested in working hands on with models to investigate detail in interior design and this often involves considering the junctions between materials and the connections they make.

Key to my work are questions concerning people and their relationship to the interiors they inhabit.

Thesis Design Project: Cobbler

‘Cobbler’ creates a showroom for a bespoke shoemaker specialising in traditional English men’s shoes within the east set of railway arches at Valentia Place, Brixton.

The interior is articulated as a single installed structure, the form of which is inspired by the seams and welts that are employed in traditional shoemaking. A single element is ‘pattern cut’ and then folded around radiused curves to articulate the necessary spaces and zones within the showroom. The entrance, staircase, and toilet are conceived as ‘solid’ blocks that slot into the folded form while the staff space sits as an independent structure on top of the main compositional element.

Detailing combines beautifully crafted hand-stitched folded leather panels in British racing green and cream with a floor of engineering brick upon which is placed a bespoke tufted wool rug with a decorative border. Metal panels have bespoke perforations inspired by the patterns found on brogue shoes whilst walnut and brushed brass are used to create display systems. Apertures within the main structure are treated like ‘eyelets’ and are framed with a round profiled brushed brass lining.

The result is an interior environment that manages to be both contemporary and crafted with traditional values.

Exploded Sectional View of Scheme — This drawing provides an overview of the scheme. The main installation takes the form of a leather-upholstered folded form with radiused corners. Elements such as the entrance, staircase, and toilet are conceived as rectilinear blocks that cut through the leather form.

Spatial Composition Animation

Spatial Composition Animation — This animation shows how the main installation is conceived as a single, ‘pattern- cut’ plane that is then folded with radiused corners to define volumes. The formal language is derived from seam making found in traditional shoemaking. This leather upholstered element has boxes inserted into it to house the entrance, staircase, and toilet. Finally, front and rear facades are formed to establish the space as an interior.

Materials Palette

Materials Palette — The materials choices are driven by the site and the use. The London brick of the arch forms a backdrop for the introduction of dark green leather, brushed brass, walnut timber and dark grey powder-coated metal. Together the intention is to create a quality interior that is inspired by the craftsmanship involved in the creation of the shoes.

Front Elevation — The elevation of the arch is divided into upper and lower sections by the fascia. Glazing to the upper half is fritted to reduce solar gain whilst transparent glazing at ground floor level establishes the shop window display. The asymmetric positioning of the entrance is a response to the form of the interior installation.

Ground Floor Plan — Brick paving is brought into the interior from the street. Upon this is placed the main installation. A bespoke rug with a brogue inspired border is then placed on top of the pavers to provide softness and comfort within the interior. Brass inserts are introduced to the threshold as a response to the Covid19 situation.

Shopfront Elevation — Shoes are displayed at eye level in brushed brass ‘eyelets’ that puncture the upholstered leather form.

Interior View — View of the shop floor towards the rear wall.

Interior View — View of the shop floor towards the shoe display and staircase.

Interior View — View of the shop floor towards the entrance.

Interior View — View of the first floor staff space.

Shoe Storage Detail — Walnut shelves are supported on interconnected brass rods to provide display shelving to store purpose-designed shoeboxes with brogue inspired lid details.

Early Study Models — The main spatial composition of the scheme was developed through iterative model making during the early stages of the project. As the Covid19 situation developed methods of working had to move from the physical to the digital.

Size:

7 months
ArchBrixtonDetailLeatherRetailShoes

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