Ceramics & Glass (MA)
Xinwen Zhang
Xinwen Zhang was born and raised in China. She gained her BA in oil painting from the Central Academy of Fine Arts in Beijing, China in 2014 and her MA in Ceramics from the Royal College of Art in 2020. Xinwen now lives and works in London, and exhibits her work in the UK and China.
My work relates to Chinese calligraphy and Chinese ink painting. The brushstroke motifs of Japanese calligraphy (Ensō) and the splash-ink style of Chinese painting have given me a lot of inspiration and made me realize the potential of the brushstroke movement. Enso is a painting method that focuses on how to execute the brush stroke circle through a movement of the body. This method relates to Japanese Zen philosophy, which is characterized by a minimalism born from Japanese aesthetics. The incomplete circle symbolises movement and development. When the circle is closed, it represents perfection, akin to Plato's perfect form.
My major at BA level was oil painting. I found that Chinese ink painting expresses “space” in a different way to Western painting. Here, poetic expression is an understanding of space in Chinese ink painting, mainly reflected through different ways of moving brushes. My work examines how to combine traditional Chinese painting methods and the philosophy of Japanese painting within the real 3D space and turn my brushstroke into a stereoscopic image. It leads the viewer’s eyes to move through different spaces with complex shapes. My work aims to change the viewing mode of the audience, so they can experience movement in a motionless object.
Hidden & Emerging - close up — Handbuild, porcelain, dimension, oxide Please contact for price
Hidden & Emerging — Handbuild, porcelain, dimension, oxide Please contact for price
Hidden & Emerging — Handbuild, porcelain, dimension, oxide Please contact for price
Hidden & Emerging - detail — Handbuild, porcelain, dimension, oxide Please contact for price
Hidden & Emerging — Handbuild, porcelain, dimension, oxide Please contact for price
Hidden & Emerging - close up — Handbuild, porcelain, dimension, oxide Please contact for price
Medium:
PorcelainSize:
37.5x30.8x21.5cmPEEP I - close up — Handbuild, porcelain, dimension, oxide Please contact for price
PEEP I — Handbuild, porcelain, dimension, oxide Please contact for price
PEEP I — Handbuild, porcelain, dimension, oxide Please contact for price
PEEP - detail — Handbuild, porcelain, dimension, oxide Please contact for price
Medium:
PorcelainSize:
18.3x21.2x14.5cmPEEP II - close up — Handbuild, porcelain, dimension, oxide Please contact for price
PEEP II — Handbuild, porcelain, dimension, oxide Please contact for price
PEEP II - detail — Handbuild, porcelain, dimension, oxide Please contact for price
PEEP II — Handbuild, porcelain, dimension, oxide Please contact for price
In terms of form, I did not choose an overly complicated internal structure. I emptied the internal space so that the flowing glaze can flow naturally in the kiln, and then accumulate on the bottom, forming a rich color in the inside space. Viewers can observe the time passing through temperature and time changes in the kiln.
Medium:
porcelain,underglazeSize:
21.2x27.5x13.9cmMovement of Line — Handbuild, porcelain, dimension, oxide Please contact for price
Movement of Line - close up — Handbuild, porcelain, dimension, oxide Please contact for price
Movement of Line - detail — Handbuild, porcelain, dimension, oxide Please contact for price
Due to the complexity of structure inside, it takes patience to make and paint my objects. It is difficult to draw such delicate lines. The intertwined shapes are derived from bubbles of water with a sense of fluidity and chance, using flowing lines and flowing water to express movement.
Medium:
PorcelainSize:
26x27.5x25.4cmCalligraphy of movement - close up — Ink, Chinese rice paper, dimension
Calligraphy of movement - close up — Ink, Chinese rice paper, dimension I designed these paintings during lock down, looking potential for these design plates, please contact if you are interested in.
Calligraphy of movement - detail — Ink, Chinese rice paper, dimension
Calligraphy of movement — Ink, Chinese rice paper, dimension
Medium:
Ink, watercolour, Chinese rice paper,tissue paperSpacial series - close up — Ink, tissue paper, dimension
Spacial series - detail — Ink, tissue paper, dimension
Spacial series — Ink, tissue paper, dimension
I wanted to show that brushstrokes convey a sense of time. I used ink to draw brushstrokes on tissue paper, then covered it with a second piece of tissue paper and a third, until the ink on the first piece of tissue paper was completely dry. In this way, each piece of paper will leave different traces of ink. With the passing of time and by repeatedly overlaying pieces of tissue paper, a sense of space is achieved.
Medium:
Ink, tissue paperFrom a Distance: The importance of a cultural experience and exchange of art education