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1. Interior Behaviours

Chien-Wen Hsu 許騫文

Chien-Wen started her design journey from interior design background, where she got diverse training in collaborative work with a team through the four years of professional education at one of the reputable interior design departments in Taiwan. 

As a storyteller in the spatial region, her aim is to elaborate on multiple issues with the delightful arrangement, colours, light. She shows her concern about the motivation of the user’s behaviour through the fine observation. She designed from small scale residences, retail shop with characteristic, to the massive office and enhances the self-identity for whether the individual or a brand through her spatial narrative during the four years of work experience with strength on.

The master education in Royal College of Art (RCA) offers herself opportunities to challenge the design in a vivid international context than before. With the background between post-Brexit and Pandemic in the United Kingdom during 2018-2020, she applied in the ‘Behaviour Platform’ in RCA for actively involved in human behaviour observation and how the behaviour will be designed in interior space with needs. In this ‘Good Behaviour’ platform, we did the experiment of handwashing for testing the level of intimacy between people. We walk on the street at SOHO with a hat which could cover our face to feel the sight of pedestrians but not to be embarrassed. Also, we try to find out the best space for the first kiss and calculate how long is the LDR’s one day. 

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1. Interior Behaviours

Long-distance relationships (LDR) are between people who are geographically separated. In my own experience of LDR, I have 24 hours a day, they have 24 hours a day but our one day is 32 hours due to the 8 hours time difference. We can sense the overlap of this extra non-existent 1/3 day but our best attempts to synchronise always happens on a monotonous screen.

This project is called 32 Hours a Day, which is about LDRs. The three-mode tiny liminal space at two ends of the world comes from the concept of time zones which change in units of 15 degrees longitude. Made possible by the result of the improvement of communication technology, across these global time zones, millions of LDRs have been formed.  

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This three-mode tiny liminal space at two ends of the world comes from the concept of time zones which change in units of 15 degrees longitude. Made possible by the result of the improvement of communication technology, across these global time zones, millions of long-distance relationships (LDR) have been formed. The lost physical connection is compensated by communication technology, this project redresses this.

When people have communication with the other end of a screen, we can observe different levels of intimacy by their behaviour without asking who they're talking with. Wherever the user sets the lens, in the corner or in front of the wall, the range of screen changes with space behind. Then, a different intimacy level has formed.

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Each tiny space of design contains the materials in three main aspects, the first one is structure, which defines the volume of the device itself and also frames the range of activity. The second aspect is the screen, which affects the scenery and surrounding of user and receiver.
The third is the support part, which I would say, it’s selected for sustaining the posture of the intimacy level in a series of design.

Structure-Timber Frame & Square Section Tube
About the structure, the timber frame is used for a more sustainable version which depends on the frequency of using. The square section tube is used for the outdoor or delicate version.

Screen-Glass & Acrylic
For the screen, the glass appears in every type expect the domestic one, the lighter acrylic is used instead here with sharpening edge for lighting effect and atmosphere.

Screen-Polariser Film

Most of the version contain polariser film on the top of the normal glass, the transparency of it gradually changes through the arrangement between two pieces of the polarised glass panel, applies proper privacy in time.

Screen-Concave Lens
The concave lens contains a larger range of view in the same size of a window.

Support-High Density Foam & Fibre Plastic

The high-density foam and FRP which could be formed in organic shape are used for leaning, sitting or lying posture.

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When people have communication with the other end of a screen, we can observe different levels of intimacy by their behaviour without asking who they're talking with. The design guides the user in three posture modes, public, semi-public and private. A series of interactive spaces are available for having a nice chat or bad fight. The first mode is open for instant needs, allowing the user directly to walk in, lean and begin. Secondly, the setting in the semi-public scenario eg office allows the user to sit well, nicely and formally. The range that the other end behind the lens can see is limited, making sure the quality of this serious moment. The last design is for the most intimate situations, the user will take a lying or semi-sitting position with soft light for atmosphere and screened for proper privacy.

We are reminded whilst the distance between the world is drawn closer by tech the distance between people is drawn further apart by the lens. This cross-timezone travelling machine between screen and lens, helps us to find a way back to what we have lost by default. To make an LDR desirable in this corner of liminal space, we need a structural but soft combination to immerse ourselves. When someone elegantly melts in the corner of a shared flat, we could naturally notice but won't pay it too much attention. The LDR users can enjoy a good quality experience by cherishing every single opportunity to overlap with each end of this world.

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